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How
to submit your audio for replication
The
Basics
The
digital age has given rise to an entire generation that can
now record, mix, assemble & pre-master their own CD records
right from their own home. While the possibilities are endless,
many artists are not aware of the positive impact a professional
studio mastering session will have on their project. It is
an expensive but worthwhile and highly recommended part of
the process. However, your budget and your knowledge of mastering
will dictate whether or not this happens.
So...
Audio Mastering is the art of taking raw tracks and then digitally
sequencing, sweetening the EQ and volume levels, checking
balances from track to track and then placing them on a finished
pre-mastered CD-R one off (or DAT tape) to give to the duplication
house. This also serves double duty as a finished master that
you can take home and listen! to your final versions before
mass producing your album.
While
you can literally spend thousands for this to happen, the
frugal shopper can ask around and find "mid-level"
mastering facilities that can usually accommodate budget albums
and projects.
Standard
"Red book" audio discs are defined as this:
Sample rate: 44.1 kHz
Channels: 2 (stereo)
Bits per sample, per channel: 16
Levels per sample: 65,536
Total data rate (Mb/s): 1.411
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CD-R "One-off" Masters
CD-Rs
discs are now the standard for most users and preferred media
format for sending CD plants your audio or data masters. Most
advanced home computers now come standard with CD-R disc burners.
CD-R discs can be sent directly to the LBR (laser writer at
the CD plant). CD-R recordable discs can store up to 700 MB
of music, files, multimedia songs - whatever you want!
Many
manufacturers of CD-R discs make several models and quality
varies widely. It is always a safe bet to buy and use name
brand CD-Rs which are sold as their "premium" models.
Never use discounted or unfamiliar 'no name' CD-Rs. Seek out
a high end audio retailer that sell quality CD-Rs.
Your
CD-ROM burner unit must be controlled by a software application
via host computer. DO NOT USE STAND ALONE HOME STEREO CONSUMER
BURNERS. Most software applications automatically utilize
PQ indexing which is simply the song ID, file locations, or
song duration etc. - just like a FAT (hard drive File Allocation
Table). If your CD-ROM burner requires you to manually PUSH
a button to create song ID points then chances are you are
NOT using an acceptable CD-R burner.
Most
Pro-Audio Recording Studios will have burners. Earthologycan
PQ-encode DAT tapes and non-PMCDs (pre-mastered CDs) when
required but accurate track timing cue sheets must be supplied.
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Program
Indexing
The
program on the master should be compiled in the correct CD
running order. The pause between each track should be of the
desired length and without any unwanted noises. We urge you
to listen to your master tape or disc in its entirety before
sending it for manufacture. Earthologymay be able to carry
out corrections and amendments - but this service will incur
additional charges and is not recommended.
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PQ Codes
PQ
Coding: PQ codes provide location and timing of each track
on the CD. The Compact disc contains a number of subcode areas
and each area is named with a letter, from P to W. The key
subcode areas are named P and Q. The mastering engineer performs
PQ coding just before cutting the CD Master (CD-R one off).
How
do you know you have successful PQ codes? Simply play the
CD-R in a home stereo player (not your computer) and use your
'time display' button to see if it can read the song count
backwards (eg: a song that is 3:26 in length will start counting
down from 3:26 to 0:00 to indicate the end of the song). Also
the 'time display' should indicate the TOTAL playing time
of the CD. If your player does not have this display feature
then seek out a higher-end player that does this. Also, use
headphones to check your PQ codes vs. audio match. It is possible
to make errors by placing the index at the wrong moment on
the master since it does not affect the audible portion of
the song. If you have a hidden track or your PQ codes differ
from the artwork (CD jacket) please let us know by including
notes with your master so we don't place your job on hold
for fear of a mistake at our end.
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What
about hidden tracks?
There
are two types of ways to make a hidden track on your CD master.
Mode
1: The first (and more difficult) is hiding the track in the
discs header file which renders the song invisible to CD players.
The only way to hear this song is to start playing the beginning
of song one on the disc and then rewind or scroll backwards
into the - (minus) region of song one. If you keep rewinding
it will eventually get to the beginning of your hidden track.
There is no extra charge for us to replicate this feature.
Earthologycan not tech support or assist you in any way to
author this feature as it falls outside the normal Red Book
guidelines. If you include this feature on your master, please
make a note on your order forms (Audio order forms section
13) as well as a note placed inside the jewel case for our
mastering engineers;
Master
contains hidden track in header file:
(hidden)
Song ID#1 ,"Oh Baby" , start -3:05 , end - 0:02
Song ID#1 , "Sha La La" , start 0:00 , end 4:12
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Mode
2: (easy) A hidden track can be as simple as leaving the credits
off your artwork to act as a special bonus track. It can play
normally with it's own ID point or it can be tagged onto the
last song on the CD to make one long song. In any event, please
make it obvious to us what you are trying to do. Having a
song appear on your CD without visible credits on your liners
notes or artwork is confusing and causes us to think something
might be wrong with your artwork layouts. So please make notes
on your order forms (Audio order forms section 13) as well
as including additional notes with your master.
example
of track listing notes:
Song
ID#11 , "Moon in June" , start 35:17 , end 41:00
Song ID#12 , "This is the end" , start 41:02 , end
48:05 *
*
note there is a 2 min. pause at 44:35. At 46:35 a non-credited
track called "One more song" begins and will end
at 48:05. The total duration of ID#12 is 06:03 which includes
two songs.
Or-
Song
ID#11 , "Moon in June" , start 35:17 , end 41:00
Song ID#12 , "This is the end" , start 41:02 , end
46:35
Song ID#13 , NOT CREDITED (hidden track) , start 46:35 , end
48:05.
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Playing
Time of CDs
In
the Red Book Philips recommends that the playing time of a
Compact Disc should not exceed 74 minutes 44 seconds, although
most newer CD players will play discs with longer playing
time, sometimes up to 80 minutes. Compact Discs exceeding
the recommended playing time of 78:00 may not play satisfactorily
on some CD players. ie: if you go over 78:00 min you run the
risk of the CD player stopping in the middle of your song.
Earthology
will not guarantee the playing time of CDs that exceed 78:00
min/sec.
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Other
notes about your master
Do I need tones on my master?
A
finished pre-mastered CD-R or DAT does not need tones and
is digitally transferred without alteration. The highest audio
level is referenced to 0 db on a Sony-1630 system.
What
about errors and glitches?
Earthology digitally transfers your master and tries to listen
for errors. However, if an error or glitch is found on your
finished CDs we will reference your original master. If it
is the fault of our glass master and not your master we will
rerun your order free of charge. CDs will not be replaced
unless returned COD to us. No CDs may be returned without
first obtaining an R.M.A. number
Does Earthologychange the sound of my recordings?
No! your master is your finished product and we will replicate
it exactly as is.
What
if I want some multimedia content at the end of my audio
This is not a problem but your product is then classified
as multimedia CD-ROM and must contain TWO SESSIONS on a single
pre-master. Please see Enhanced CD-ROM
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Tips
& Suggestions for successful CDs
Get your studio recordings mastered by someone good! With
the plethora of home computers out there it's easy for anyone
(and their dog) to call themselves a mastering facility. Without
a sound knowledge (pun intended) of EQ, compression, quantization
errors and jitter, you may find yourself getting a CD that
sounds worse than the original mix! A talented mastering engineer's
job is to "sweeten" the mix, maximize levels with
compression and EQ, and make sure your program is successfully
transferred from DAT to CD.
Always
ask the studio for a CD-R one-off. This will not only provide
proof of accurate indexing of your songs but allow you one
last listen to your mixes before you start the mass production
process.
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What
about DAT?
DAT
(digital audio tape) at one point was the a studio standard
for transferring your music to the CD plant. With the advent
of the CD-R, this tape based format has become less and less
popular. With DAT our engineers need to manually program your
ID points on the final CD which is not as desirable as a final
pre-mastered CD-R. We prefer your studio master to a CD-R
final one off and not a DAT.
If
you must send a DAT you need to provide a log sheet from the
studio. The log sheet must look something very close to this:
Song
Title Index Start ABS Duration Of Song End ABS
1. My Song 2:00 3:50 5:50
2. My Other Song 5:52 3:00 8:52
ABS
= Absolute Time -this is the time code track on the DAT player.
When you record your DAT a 'stamp' is placed onto the tape
along with your music. You must play back your DAT after recording
with the time counter set to ABS mode. Simply look at the
time counter as it plays back and write down the information
in a table as illustrated above.
Start your music at 2:00 -never start recording at the head.
Leave 2 minutes of silence.
DAT recorders can also record Index or ID points but are very
inaccurate. WE CAN NOT USE YOUR INDEX POINTS recorded into
a DAT tape. A log sheet must always be used.
HIDDEN
TRACKS at the end of your CD must be indicated on the index
cue sheet. See example below:
Song Title Index Start ABS Duration Of Song End ABS
11. My 2nd to Last Song 45:00 3:50 48:50
12. My Last Song (includes non credited 'hidden' track) 48:52
10:00 58:52
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Earthology
prefers CD-R masters to ensure an absolute clone of your material.
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MORE
CD MANUFACTURING TIPS:
Choose
an experienced graphic artist. There's nothing worse than
getting a phone call from the CD plant telling you your provided
paper inserts won't fit in the jewel box (ugh). Or, when your
CDs do arrive, you find to your horror that the perfect shade
of purple hair you've worked so hard to achieve is an off
brown (ugghhh). Go with an experienced graphic designer!
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